Glowing Farm (Illinois, 16 June 2009)
Shot from the
car on I-55 as storm clouds gathered,
the image was cropped and enhanced
with an
artistic effect called ‘Glow Edge’ in Paint Shop Pro
So you’re tooling along on the Interstate and you see
something interesting...clouds, land formations, scenic views or damage from a
storm or fire. It would be nice to snap
a shot or two. You might even be able to
make something more of it with editing.
I may be somewhat amateurish in my photographic
pursuits. I don’t always pack the tripod
and have been guilty of other lapses and lazy habits. So let me restore some semblance of
photographic propriety and say this first – of course, it would be better if
you could pull over, get out of the car and properly shoot the scene.
However, what if there is no shoulder on the road and no
exit in sight? You could extend the
camera through the sunroof or out the window and pop off a few shots...which
you will almost certainly regret and delete.
Not to mention the distracted, unsafe driving that would entail (I would
never do something like that). No, this
little bit of advice is best applied when you are the passenger in the car and
can devote all of your faculties to taking the picture.
The scene is Interstate 25, north of Denver. Beck is driving to Cheyenne and I’m enjoying
the great western landscape. Storm
clouds were forming over the high plains country and I wanted to capture
it. It was not possible to stop the car
so I was going to shoot out the window.
Sometimes that works just fine.
Storm
Approaching (Illinois, 16 June 2009)
(The image was taken at highway speed
through an open window)
If you have a camera with more controls, you can increase
the potential for a better shot. If your
camera is a basic point-and-shoot, set the mode on ‘sports’ or whatever setting
increases the shutter speed and captures motion. If you have more control options, increase
the ISO (film speed). Usually, the lower
numbers are preferred because (like with film) the image quality is better. However, if you just want to get a shot worth
keeping from a vehicle going 65 mph, the higher ISO will allow a faster shutter
speed. On top of that, since you’re
shooting off to the horizon, the focus is infinity and depth of field is not an
issue. That means you can use the lowest
f-stop you have. The important thing is
the faster shutter speed can be enough to freeze the scene, even as you whiz
by.
Also, if you fly and like to look out the window because
our magnificent American landscape is even more remarkable from above, this
same technique helps get images worth saving.
High ISO + low f-stop = fast shutter speed...provided you have a window
that’s not too foggy or scratched.
Another tip would be to NOT steady the lens by leaning the camera against
the window. The plane’s (or car’s)
vibrations can blur the shot. I try to gently
cushion the lens with a few fingers against the plastic. It steadies the camera while absorbing the
vibration.
Hoover Dam and
Lake Mead (7 May 2009)
Even if the scene is nothing you want to enlarge and
frame for your Greatest Hits Wall, you can still play with it and create
something interesting using editing software, as was done with the first image
above...or here.
T-lines and
Storm Clouds in Chrome (Illinois, 16
June 2009)
Zooming down the highway, you often don’t
have much
time to think about framing a shot. While scatter-shooting what flies
by and
cropping some decent composition from that
THEN adding some novel editing is no way
to produce the kind
of image that can be enlarged or worth much, one can still
make something interesting to share or use in a cheesy blog.
By now, you’re probably thinking, “OK...this story began
in Colorado. I don’t see any shots of the high plains, Big Sky Country with
storm clouds”. Turns out it wasn’t until
we got to Cheyenne that I realized there was no memory card in the camera. Bleep that bleeping bleep! No pictures...only memories.
So, you get TWO gems of advice this time, the second is
to make sure you have a memory card (or film) in the camera.